My list of publications goes back to many years now, and it is yet to be completed.
Here are the last three years contributions.

2025

• In print: Maleeva, G. & Ungureanu, C. (2025) “Biological Imagination, Critical Environmentalism, and Anthropocene in Annihilation.” In: Katarzyna Paszkiewicz & Andrea Ruthven (eds) “Cinema of/for the Anthropocene London: Routledge, 2025 160-176.
• In print: Ungureanu, C. (2025). “Kafka in the Balkans Before the Law, Nihilism, and Crisis in Cristi Puiu’s Aurora.” In: Becci, V, A. Katsiginis & E. van Daalen (eds), Law and Film. Critical Reflections on a Field in Motion, London: Routledge, 119-134
• Forthcoming: Ungureanu, C. (2025). “Cristi Puiu and Vladimir Solovyov: evil, death, and crisis in Malmkrog.” Angelaki. Journal for Theoretical Humanities, 2.
• Forthcoming: Bradatan, C. & Ungureanu, C. (2025), “Crisis as a way of life.” Angelaki. Journal for Theoretical Humanities, 2 (forth.)
• Under review: Ungureanu, C. & Zografos, Z. “Ecological Transition, Green Sacrifice, and the Crisis of Masculinity: Alcarràs and The Beasts between Nostalgia and Resistance”
• Under review: Maleeva, G. & Ungureanu, C. (shared 1st authorship) “Bioengineering Imagination, A.I., and the logic of difference: Kazuo Ishiguro’s posthuman humanism.”
• Under review: Ungureanu, C. & Bayo, S “Comedy, Laughter, and Heterodoxic Marxism in African Cinema: the case of Ousmane Sembene”

2024

• Mihai, M. & Ungureanu, C. (2024; shared 1^st authorship). “Far-right Ecology and Geopolitical Resentment at Europe’s Periphery: The Case of Romania’s “Conservative Revolution””Geoforum, 156, 104122. https://doi.org/10.1016/j.geoforum.2024.104122.
• Ungureanu, C. (2024). “New municipalism and feminist leadership after the Indignados: The political aesthetics of truth in Ada Colau for Mayor (Faus 2016).” European Journal of Women’s Studies, 31(2), 163–179. https://doi.org/10.1177/13505068241254192.
• Ungureanu, C. (2024). “Populist Humour, Carnivalization, and Political Discourse in Central and Eastern Europe.” Journal of Contemporary Central & Eastern Europe, 32(2), 477-498. https://doi.org/10.1080/25739638.2024.2375157.
• Ungureanu, C. & M. Sanjaume, M. (2024). “The blurred lines between center-right and far-right: “Reverse contamination” and the People’s Party’s environmentalism in Spain.” Party Politics, 25(3), 225-240. https://doi.org/10.1177/13540688241242275.
• Ungureanu, C. & Popartan L. (2024). “The Green, Green Grass of the Nation.” Political Geography, 8, 102953. https://doi.org/10.1016/j.polgeo.2023.102953.
• Ungureanu, C. (2024). “Truth is a ‘bird of prey’: interpreting the postcolonial dialectic in Agustí Villaronga’s El ventre del mar (2021) with Frantz Fanon.” Journal of Spanish Cultural Studies, 25(2), 311-330. https://doi.org/10.1080/14636204.2024.2347666.
• Ungureanu, C. (2024). “Reconciliation without forgiveness? Reading Icíar Bollaín’s Maixabel (2021) with Hannah Arendt.” International Journal of Iberian Studies, 37(2), 113-130. https://doi.org/10.1386/ijis_00128_1.

2023

• Ungureanu, C. (2023). “The ‘mystical’ foundation of democratic society, mythmaking and truth in The Man Who Shot Liberty Valance (John Ford 1962).” Philosophy & Social Criticism. https://doi.org/10.1177/019145372311875.
• Ungureanu, C. (2023). “Socialist cinema, gender, and the robot revolution: Ion Popescu Gopo’s Galax, the Doll-Man (1984) beyond Utopia and Dystopia.” Studies in European Cinema, 21(2), 299-315. https://doi.org/10.1080/17411548.2023.2224703.
• Ungureanu, C. (2023) “Film, rationality, and myth in Galax.” In: Gopo 100 Dossier. Film 4: 23-25.